George RR Martin’s influence on Elden Ring is subtle and that’s a good thing

George RR Martin’s influence on Elden Ring is subtle and that’s a good thing

Have you heard of Game Transfer Phenomena? It’s the habit of taking video game experiences into the real world. And while scientific research into the process is still relatively thin on the ground, I bet you’ve done it yourself. I know I have. Every shopping mall air vent is a Batman stealth takedown opportunity. Every rooftop is ripe for Nathan Drake-esque traversal. Every viewing of Game of Thrones incurs an “imagine if Dark Souls did something like this” piece of commentary. With Elden Ring, it sort of has. 
Because while crafting the latest of FromSoftware’s typically dark, twisted and hard-as-nails action roleplayers, Hidetaka Miyazaki and his team sought the creative services of the A Song of Fire and Ice author George RR Martin. A Song of Fire and Ice, of course, was adapted into HBO’s A Game of Thrones fantasy drama series. “I have some good memories of those initial discussions,” says FromSoftware’s creative director Hidetaka Miyazaki in an interview with Edge magazine. “[George RR Martin] actually knew about the Dark Souls games. I knew immediately from talking to him, it just became apparent his skill and his passion for the fantasy genre, and for games as well.”
World building
Key Info

“So we established very early that he would be writing that foundation, that historical element to the game. And this way he was able to much more freely flex those creative muscles and provide something that wasn’t restricted. It was all very loose and quite vague. Then he would come back to us with a lot of ideas: how about this, this, and this? That back-and-forth started the exchange of ideas.”

Hidetaka Miyazaki

In a blog post of his own last month, George RR Martin appeared to support Miyazaki’s mythos-building assertions, when the novelist said he’d helped FromSoftware with “just a bit of worldbuilding: a deep, dark, resonant world to serve as a foundation for the game they planned to create” during Elden Ring’s earliest days. For me, the sheer scale of what Elden Ring promises speaks directly to this in practice, which, at this early stage at least, feels like the perfect overlap of ideas from two hugely creative individuals. 
With hostile giants, land octopuses, skeleton soldiers, and demi-humans among just some of Elden Ring’s early antagonists, Dark Souls’ DNA clearly runs deep here – but the ways in which adversaries respond to the player’s presence feels bigger, more assured and more organic. Enemies appear to chat to one another once alerted to the player’s presence, to exchange orders and to form offensive strategies on the fly; some even sounding bugles as a means of rounding the troops in a hurry. While playing the closed network test, I couldn’t help but feel part of something bigger, more so than anything FromSoftware has showcased before, and I’m certain this is George RR Martin’s influence manifest. 
Miyazaki says the novelist’s input was exclusively text-based, informative yet open-ended, detailing the flow of history as it relates to Elden Ring’s universe and the figures who appeared within it, but all in ways that Miyazaki and his team could interpret their own way. Given that interpretation has played such a central role in all of FromSoftware’s games to date, all of this is fitting, and, of course, exciting – so much so, it’s no surprise that Elden Ring topped your Most Wanted list at the Golden Joystick Awards 2021. I can’t wait to go exploring. And to continue slaughtering sheep, of course. 
To read more of this interview with FromSoftware head Hidetaka Miyazaki, pick up a physical or digital copy of issue 367 of Edge Magazine. 

(Image credit: Future)
All throughout January, GamesRadar+ is exploring the biggest games of the new year with exclusive interviews, hands-on impressions, and in-depth editorials. For more, be sure to follow along with Big in 2022. 

#George #Martins #influence #Elden #Ring #subtle #good

George RR Martin’s influence on Elden Ring is subtle and that’s a good thing

Have you heard of Game Transfer Phenomena? It’s the habit of taking video game experiences into the real world. And while scientific research into the process is still relatively thin on the ground, I bet you’ve done it yourself. I know I have. Every shopping mall air vent is a Batman stealth takedown opportunity. Every rooftop is ripe for Nathan Drake-esque traversal. Every viewing of Game of Thrones incurs an “imagine if Dark Souls did something like this” piece of commentary. With Elden Ring, it sort of has. 
Because while crafting the latest of FromSoftware’s typically dark, twisted and hard-as-nails action roleplayers, Hidetaka Miyazaki and his team sought the creative services of the A Song of Fire and Ice author George RR Martin. A Song of Fire and Ice, of course, was adapted into HBO’s A Game of Thrones fantasy drama series. “I have some good memories of those initial discussions,” says FromSoftware’s creative director Hidetaka Miyazaki in an interview with Edge magazine. “[George RR Martin] actually knew about the Dark Souls games. I knew immediately from talking to him, it just became apparent his skill and his passion for the fantasy genre, and for games as well.”
World building
Key Info

“So we established very early that he would be writing that foundation, that historical element to the game. And this way he was able to much more freely flex those creative muscles and provide something that wasn’t restricted. It was all very loose and quite vague. Then he would come back to us with a lot of ideas: how about this, this, and this? That back-and-forth started the exchange of ideas.”

Hidetaka Miyazaki

In a blog post of his own last month, George RR Martin appeared to support Miyazaki’s mythos-building assertions, when the novelist said he’d helped FromSoftware with “just a bit of worldbuilding: a deep, dark, resonant world to serve as a foundation for the game they planned to create” during Elden Ring’s earliest days. For me, the sheer scale of what Elden Ring promises speaks directly to this in practice, which, at this early stage at least, feels like the perfect overlap of ideas from two hugely creative individuals. 
With hostile giants, land octopuses, skeleton soldiers, and demi-humans among just some of Elden Ring’s early antagonists, Dark Souls’ DNA clearly runs deep here – but the ways in which adversaries respond to the player’s presence feels bigger, more assured and more organic. Enemies appear to chat to one another once alerted to the player’s presence, to exchange orders and to form offensive strategies on the fly; some even sounding bugles as a means of rounding the troops in a hurry. While playing the closed network test, I couldn’t help but feel part of something bigger, more so than anything FromSoftware has showcased before, and I’m certain this is George RR Martin’s influence manifest. 
Miyazaki says the novelist’s input was exclusively text-based, informative yet open-ended, detailing the flow of history as it relates to Elden Ring’s universe and the figures who appeared within it, but all in ways that Miyazaki and his team could interpret their own way. Given that interpretation has played such a central role in all of FromSoftware’s games to date, all of this is fitting, and, of course, exciting – so much so, it’s no surprise that Elden Ring topped your Most Wanted list at the Golden Joystick Awards 2021. I can’t wait to go exploring. And to continue slaughtering sheep, of course. 
To read more of this interview with FromSoftware head Hidetaka Miyazaki, pick up a physical or digital copy of issue 367 of Edge Magazine. 

(Image credit: Future)
All throughout January, GamesRadar+ is exploring the biggest games of the new year with exclusive interviews, hands-on impressions, and in-depth editorials. For more, be sure to follow along with Big in 2022. 

#George #Martins #influence #Elden #Ring #subtle #good