Entertainment

The Duke Review: Broadbent & Mirren Excel In Stylish, Heartwarming Dramedy

Jim Broadbent in The Duke

The story of an old man stealing a painting to raise awareness about a situation involving television licensing might seem rather absurd, and Michell deftly indulges in the humor of it all. duke George Fenton’s lively score has great energy from the opening minutes to bring the action to life. Michell occasionally uses split screens and vintage shots for fun effects. duke This is helped by Bean and Coleman’s screenplay, which highlights Kempton’s serious nature without sacrificing it too much. He’s a man who sticks to his guns and the film shows exactly why he deserves the admiration of the rest of the world. Overall, the movie is a fast-paced affair at around 90 minutes in length, but slows down a bit as the frame plays and Kempton makes his next move. Michell streamlines progression, and Bean and Coleman add solid character work. Still, duke it is preferable that he concentrates on the important events of this experience.

Despite his carefree approach, duke still finds room for the true heart. Kempton and Dorothy lost a daughter years before the film even started, and while their grief never overwhelms the story, it is present. Bean and Coleman describe two aspects of grief here: the version of Dorothy who keeps everything secret and tightly locked, and the version of Kempton who interacts with her through art. From their point of view, duke cleverly confronts a difficult topic that many people can sympathize with. This extra layer adds even more depth to Kempton’s story and shows that he is much more than a strangely passionate man who uses a famous work of art as a “ransom”.

Jim Broadbent and Helen Mirren in The Duke

As Kempton, Broadbent nails both his humor and honest nature. With the former, Broadbent’s comic timing shows well during the play. dukeThe subsequent court scenes stunned onlookers and onlookers alike. This makes Kempton someone to defend, even if some question his methods. Mirren is perfectly reliable as the emotionally suppressed Dorothy; When it dissolves, or even releases its own grief, it tugs at its heartbeat. duke although primarily a showcase for these two acting vets Dunkirk The Whitehead star is loyal, but as successful as a lost little Jackie.

The actual stories filmed are often of the heaviest and most impactful variety. Still, duke More than justifying its existence with its thoughtful illumination of an eerie, but ultimately utterly vital true story. There’s humor and emotion in equal measure, and each cast member gives a wonderfully authentic performance. Since this is unfortunately Michell’s last feature film, there is a slight undercurrent of melancholy here. At the same time, Michell’s achievement for this film is something to be celebrated, and I hope so. Anyone looking for a funny story about a really nice person would be well advised to check it out. Duke.

duke now playing in select theaters. It is 96 minutes long and rated R for Language and Short Sexuality.

Our rating:

3.5 out of 5 (very good)


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The Duke Review: Broadbent & Mirren Excel In Stylish, Heartwarming Dramedy

Jim Broadbent in The Duke
The story of an older man stealing a painting with an eye on raising awareness for a situation involving television licenses might seem rather silly, and Michell wisely leans into the humor of it all. The Duke has a sprightly energy from its very first minutes, with George Fenton’s swinging score buoying the action. Michell occasionally employs split-screens and classic-looking footage to fun effect. The Duke is further aided by Bean and Coleman’s screenplay, which highlights Kempton’s earnest nature without getting too sanctimonious. This is a man who sticks to his guns and the film shows exactly why he deserves admiration from the rest of the world. Overall, the movie is a quick affair with its roughly 90-minute runtime, though it does slow somewhat once the painting has been stolen and Kempton is working out his next moves forward. Michell eases the pacing and Bean and Coleman add in some solid character work. Still, The Duke is at its best when it is focusing on the major events of this experience.
Even with its lighthearted approach, though, The Duke still finds space for real heart. Kempton and Dorothy lost a daughter years before the film begins, and while their grief never overwhelms the story, it is present. Bean and Coleman depict two sides of grieving here: Dorothy’s version, which is to keep everything private and tightly locked up, and Kempton’s, which is to interact with it via art. Through their perspectives, The Duke smartly confronts a difficult topic that many people can likely empathize with. This extra layer gives Kempton’s story more depth and shows he’s far more than a strangely passionate man who would use a famous art piece for “ransom.”

Jim Broadbent and Helen Mirren in The Duke
As Kempton, Broadbent nails both his humor and his righteous nature. With the former, Broadbent’s comedic timing is on fine display during The Duke‘s later court scenes, pulling laughs from both the audience and the stunned courthouse patrons. He makes Kempton someone to root for, even if some might question his methods. Mirren is reliably excellent as the emotionally repressed Dorothy; when she thaws, or even lets her own grief loose, she tugs at heartstrings. The Duke is mainly a showcase for these two acting vets, though Dunkirk star Whitehead does well as the loyal, yet somewhat lost Jackie.
Real life stories brought to film are often of the heavier, more impactful variety. Still, The Duke more than justifies its existence through its thoughtful illumination of an odd, but ultimately rather vital true tale. There is humor and emotion in equal measure, and each member of the cast gives a wonderfully authentic performance. As this is sadly Michell’s last feature film, there is a slight undercurrent of melancholy here. At the same time, Michell’s direction for this movie is something to be celebrated, and hopefully it will be. Anyone looking for an entertaining story about a genuinely good person would be smart in checking out The Duke.

The Duke is now playing in select theaters. It is 96 minutes long and rated R for language and brief sexuality.

Our Rating:
3.5 out of 5 (Very Good)

#Duke #Review #Broadbent #Mirren #Excel #Stylish #Heartwarming #Dramedy

The Duke Review: Broadbent & Mirren Excel In Stylish, Heartwarming Dramedy

Jim Broadbent in The Duke
The story of an older man stealing a painting with an eye on raising awareness for a situation involving television licenses might seem rather silly, and Michell wisely leans into the humor of it all. The Duke has a sprightly energy from its very first minutes, with George Fenton’s swinging score buoying the action. Michell occasionally employs split-screens and classic-looking footage to fun effect. The Duke is further aided by Bean and Coleman’s screenplay, which highlights Kempton’s earnest nature without getting too sanctimonious. This is a man who sticks to his guns and the film shows exactly why he deserves admiration from the rest of the world. Overall, the movie is a quick affair with its roughly 90-minute runtime, though it does slow somewhat once the painting has been stolen and Kempton is working out his next moves forward. Michell eases the pacing and Bean and Coleman add in some solid character work. Still, The Duke is at its best when it is focusing on the major events of this experience.
Even with its lighthearted approach, though, The Duke still finds space for real heart. Kempton and Dorothy lost a daughter years before the film begins, and while their grief never overwhelms the story, it is present. Bean and Coleman depict two sides of grieving here: Dorothy’s version, which is to keep everything private and tightly locked up, and Kempton’s, which is to interact with it via art. Through their perspectives, The Duke smartly confronts a difficult topic that many people can likely empathize with. This extra layer gives Kempton’s story more depth and shows he’s far more than a strangely passionate man who would use a famous art piece for “ransom.”

Jim Broadbent and Helen Mirren in The Duke
As Kempton, Broadbent nails both his humor and his righteous nature. With the former, Broadbent’s comedic timing is on fine display during The Duke‘s later court scenes, pulling laughs from both the audience and the stunned courthouse patrons. He makes Kempton someone to root for, even if some might question his methods. Mirren is reliably excellent as the emotionally repressed Dorothy; when she thaws, or even lets her own grief loose, she tugs at heartstrings. The Duke is mainly a showcase for these two acting vets, though Dunkirk star Whitehead does well as the loyal, yet somewhat lost Jackie.
Real life stories brought to film are often of the heavier, more impactful variety. Still, The Duke more than justifies its existence through its thoughtful illumination of an odd, but ultimately rather vital true tale. There is humor and emotion in equal measure, and each member of the cast gives a wonderfully authentic performance. As this is sadly Michell’s last feature film, there is a slight undercurrent of melancholy here. At the same time, Michell’s direction for this movie is something to be celebrated, and hopefully it will be. Anyone looking for an entertaining story about a genuinely good person would be smart in checking out The Duke.

The Duke is now playing in select theaters. It is 96 minutes long and rated R for language and brief sexuality.

Our Rating:
3.5 out of 5 (Very Good)

#Duke #Review #Broadbent #Mirren #Excel #Stylish #Heartwarming #Dramedy


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