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The Matrix Resurrections review: “Succeeds where other reboots have failed”

Matrix Resurrections is a puzzle wrapped in an enigma; a high-level sci-fi thriller that tests your patience and demands your attention; A sequel that pays homage to its ancestors while opening a new path. Lawrence Fishburne’s Morpheus once said, “No one can tell what the Matrix is.” “You should see that for yourself.” And the genre-defying giant’s fourth installment has to be seen to be believed.

So what can we tell you without sacrificing too much? Resurrections is, quite simply, the most meta movie of the year. Lana Wachowski, who directed without her sister Lilly, looked in the mirror, watched reboots and sequels dominate cinema screens, and decided to break the system from within. Dirilişler can’t escape the fourth episode of a beloved series, but it still breaks tradition with its heart-pounding show.

The hallmark of Wachowski’s approach is openness: the resurrections begin with a scene-by-scene recreation of the original matrix – but something is wrong. Confidently played by series newcomer Jessica Henwick, Bugs watches the agents battle Trinity (Carrie-Anne Moss). We’re guessing Hugo Weaving’s Agent Smith will show up, but someone else is showing up…

“Nothing relieves anxiety like a bit of nostalgia,” Yahya Abdul-Mateen II’s Morpheus says later. Wachowski shares the same view: footage from the first three films is added frequently. Even the presence of Morpheus seems strange, the character is now masterfully crafted by Abdul-Mateen with a new found wonder.

Halfway through, Resurrections loses all glimpse of the pet. The storyline’s most impressive feature is that the Matrix tells a story about itself, which raises new questions. And while there are times when the plot falters when it falls down the machine-made rabbit hole, the bond between Neo (Keanu Reeves) and Trinity stabilizes everything.

Even though both are dead at the end of Revolutions, the iconic characters of Reeves and Moss literally return, and the love – and pain – between them becomes palpable. Reeves has a bigger role, but their chemistry is more electric than ever.

It won’t be for everyone; If your patience for meta comments is low, you’ll probably struggle. But Resurrections succeeds where other reboots have failed: breaking away from the familiar to tell a story that’s both timely and timeless.


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Matrix Resurrections is in theaters from December 22. The sequel is also available on HBO Max in the US from the same date. For more, check out our guide to the best sci-fi movies of all time.


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The Matrix Resurrections review: “Succeeds where other reboots have failed”

The Matrix Resurrections is a riddle wrapped inside an enigma; a high-concept sci-fi thriller that tests your patience and demands your attention; a sequel that pays homage to its forebears while paving a new path. “No one can be told what the Matrix is,” Lawrence Fishburne’s Morpheus once said. “You have to see it for yourself.” And the fourth installment in the genre-defying behemoth needs to be seen to be believed.
So, what can we tell you without giving too much away? Well, Resurrections is, quite simply, the most meta movie of the year. Lana Wachowski, directing without sister Lilly, has peered through the looking glass, seen the reboots and sequels dominating cinema screens and decided to break the system from within. Resurrections can’t escape being part four of a beloved series, yet it frees itself from convention with heart-pounding panache.
Emblematic of Wachowski’s approach is the opening: Resurrections starts with a scene-for-scene recreation of the first Matrix – but something’s off. Bugs, played confidently by series newcomer Jessica Henwick, watches as agents fight Trinity (Carrie-Anne Moss). We presume Hugo Weaving’s Agent Smith will appear, but someone else shows up…
“Nothing comforts anxiety like a little nostalgia,” Yahya Adbul-Mateen II’s Morpheus says later on. Wachowski has the same view: footage from the first three movies is frequently spliced in. Even Morpheus’ very presence causes an uncanny feeling, the character now ably handled with a new-found grooviness by Adbul-Mateen.
By its midpoint, Resurrections loses any semblance of the familiar. The script’s most impressive feat is telling a story that raises new questions about the Matrix itself. And while there are moments where the plot teeters on falling down the machine-made rabbit hole, the bond between Neo (Keanu Reeves) and Trinity anchors everything.
Despite the two being dead at the end of Revolutions, Reeves and Moss’ iconic characters make a full-blown return, and the love – and anguish – between them is palpable. Reeves has the more prominent role, but their chemistry is more electric than ever.
This won’t be for everyone; should your patience for meta-commentary be thin, you will likely struggle. However, Resurrections succeeds where other reboots have failed: breaking from the familiar to tell a story both timely and timeless.
Today’s best HBO Max dealsHBO Max with Ads$9.99/mthViewat HBOMaxHBO Max Ad-Free$14.99/mthViewat HBOMax
The Matrix Resurrections is in cinemas from December 22. The sequel is also available on HBO Max in the US from the same date. For more, check out our guide to the best sci-fi movies of all time.

#Matrix #Resurrections #review #Succeeds #reboots #failed

The Matrix Resurrections review: “Succeeds where other reboots have failed”

The Matrix Resurrections is a riddle wrapped inside an enigma; a high-concept sci-fi thriller that tests your patience and demands your attention; a sequel that pays homage to its forebears while paving a new path. “No one can be told what the Matrix is,” Lawrence Fishburne’s Morpheus once said. “You have to see it for yourself.” And the fourth installment in the genre-defying behemoth needs to be seen to be believed.
So, what can we tell you without giving too much away? Well, Resurrections is, quite simply, the most meta movie of the year. Lana Wachowski, directing without sister Lilly, has peered through the looking glass, seen the reboots and sequels dominating cinema screens and decided to break the system from within. Resurrections can’t escape being part four of a beloved series, yet it frees itself from convention with heart-pounding panache.
Emblematic of Wachowski’s approach is the opening: Resurrections starts with a scene-for-scene recreation of the first Matrix – but something’s off. Bugs, played confidently by series newcomer Jessica Henwick, watches as agents fight Trinity (Carrie-Anne Moss). We presume Hugo Weaving’s Agent Smith will appear, but someone else shows up…
“Nothing comforts anxiety like a little nostalgia,” Yahya Adbul-Mateen II’s Morpheus says later on. Wachowski has the same view: footage from the first three movies is frequently spliced in. Even Morpheus’ very presence causes an uncanny feeling, the character now ably handled with a new-found grooviness by Adbul-Mateen.
By its midpoint, Resurrections loses any semblance of the familiar. The script’s most impressive feat is telling a story that raises new questions about the Matrix itself. And while there are moments where the plot teeters on falling down the machine-made rabbit hole, the bond between Neo (Keanu Reeves) and Trinity anchors everything.
Despite the two being dead at the end of Revolutions, Reeves and Moss’ iconic characters make a full-blown return, and the love – and anguish – between them is palpable. Reeves has the more prominent role, but their chemistry is more electric than ever.
This won’t be for everyone; should your patience for meta-commentary be thin, you will likely struggle. However, Resurrections succeeds where other reboots have failed: breaking from the familiar to tell a story both timely and timeless.
Today’s best HBO Max dealsHBO Max with Ads$9.99/mthViewat HBOMaxHBO Max Ad-Free$14.99/mthViewat HBOMax
The Matrix Resurrections is in cinemas from December 22. The sequel is also available on HBO Max in the US from the same date. For more, check out our guide to the best sci-fi movies of all time.

#Matrix #Resurrections #review #Succeeds #reboots #failed


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